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在建国后“十七年”的新中国影坛上,表现“阶级斗争”的题材主导银幕,许多演员为适应新的政治要求,纷纷按照剧情改变戏路,无形间划分成了正反两派,几乎形成了他们一辈子固定的表演套路:要么是正气凛然的主角,要么是凶神恶煞的反派。但上影却有一位男演员,在他拍摄的50余部各类题材的影片中亦反亦正,自如穿行于善恶之间,英雄与凶神都能扮演得惟妙惟肖,各具特点。他就是在中国电影界享有“玩转黑白两道”美称的著名演员冯奇。
In the “Seventeen Years” period after the founding of the People’s Republic of China, the performance of the theme of “class struggle” dominates the screen. Many actors, in order to adapt to the new political requirements, have changed their ways in accordance with the storyline and become invisible and invisible. Almost formed their fixed performance routine for a lifetime: either a righteous protagonist, or the vicious villain. However, there is an actor on the film. In his filming of more than 50 films of various genres, he has also been able to move freely between good and evil. Heroes and fierce gods can all play their own roles. He is in the Chinese movie industry enjoys a “playful black and white” reputation of the famous actor Feng Qi.