一个来自台湾彰化,一个来自山西汾阳一个凭音符触动人心,一个用影像抚慰世界他们都是从小地方涌入大都市的年轻人,身上帝着浓浓的草根甚或草莽气息,默默从事着相对小众、自己认可的艺术形态。他们都是潮流年代独立自我的艺术符号。他们的轨迹因电影而交叉。从《世界》到《三峡好人》、《东》,这两个连面孔都有几分相像的创作者一路神交、互相激荡。 One from Changhua in Taiwan, one from Shanxi Fenyang a touch of inspiration with the people, a video to soothe the world they are influx of young people from a small place into the metropolis, the body with a strong sense of grassroots or grassy, ​​quietly engaged in a relatively small Public, their own recognized art form. They are the artistic symbols of the trendsetting independent self. Their tracks cross the movie. From “the world” to “good people in the Three Gorges” and “East”, creators who share similar views in both of their faces have been divinely inspired and stirred up with each other.