“为什么偏要跑到农村去体验生活,可以回到城市画自己;听见外面修路的声音很烦躁,坐在这儿就是生活。”太原大规模的道路改造正在进行,喧哗一阵阵传到楼上。任晓军正是把2003年,作为他所进行的抽象水墨人物画的分界线,内容由农村进入城市。“仅画遥远的东西不是真实的,生活在当代环境中,生活在城市中,就要表现当代城市人的生存状态与情绪。”而更早的形式上的转变,是在1992年他去中央美院国画系深造之时。在那之前,他临摹石涛、八大山人、黄宾虹、齐白石,在既定的程式中,重复着大家熟悉的题材。他看到了各种风格的 “Why do you want to go to the countryside to experience life, you can return to the city to paint yourself; hear the voice of the road outside is very upset, sitting here is life. ” Taiyuan large-scale road reconstruction is underway, upstairs. Ren Xiaojun just took 2003 as the dividing line of abstract ink and wash figures that he carried out and moved from rural areas to cities. “Drawing only the distant things is not true. Living in a contemporary environment and living in a city, we must show the living conditions and emotions of contemporary urban people.” The earlier formal change was that in 1992, he To the Central Academy of Fine Arts Painting Department at the time. Before that, he copied Shi Tao, Badashanren, Huang Binhong and Qi Baishi, repeating familiar subjects in the established program. He saw a variety of styles