中国的花鸟画自唐成为独立的画科以来,经过唐、五代,到宋代发展臻于成熟并达到鼎盛时期。众所周知,宋画不像明清绘画那样注重意趣,以奇取胜,而是注重理法。在描绘上,宋画以描绘自然美为对象,将花卉或鸟类置于画面的主体部分,利用空白,处理开合、疏密、藏露之间的关系,在简约大气的布局中体现状物精微、意境深邃的不同 Since the Tang Dynasty became an independent painter, the flower and bird paintings in China have reached maturity and reached their heyday after the Tang and Five Dynasties and Song Dynasty. As we all know, Song paintings do not pay much attention to the paintings in the Ming and Qing dynasties. In depicting the Song painting to natural beauty as the object, the flowers or birds are placed in the main part of the screen, the use of space, dealing with the opening and closing, density, possession of the relationship between the delineation of the atmosphere in the simple shape Subtle, profound artistic differences