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在“全景式人类艺术”的艺术真理涵盖面下,所有人类民族及文化内涵所衍生的艺术行为及作品都值得被关注。装置艺术在现代美学概念里成为一门确定下来的系统确实有它的时代意义。“实验”本就是任一种文艺趋于成形前无法避免的尝试过程,一个愈具开放性的创作系统,也就会提供艺术创作更多实验性,其所碰撞出的反思高度一方面完善自身独有的类型风格,不再被指控为叫嚣之作,另一方面当它自我完善了此一艺术形态,也意喻了“全景式艺术人类景观图”的愈趋完整,因着装置艺术从创作者本质、媒材、场地、参观者等均需列入创作蓝图的风格类型能够为未来的艺术人类学研究领域提供更完整的当代讯息。
Under the artistic truth of “panoramic human art”, all artistic activities and works derived from human race and cultural connotation deserved attention. The installation of installation art in the concept of modern aesthetics has indeed its epoch meaning. “Experiment ” This is an inevitable attempt before any kind of literature and art tends to be formed. A more open creative system will also provide more experimental artistic creation with a high degree of reflection on the one hand Perfecting its own unique type of style is no longer accused of clamoring works, on the other hand, when it self-perfected this art form, it also means that the panoramic landscape art human landscape is getting more and more complete because The installation style of the installation art from the nature of creators, media, venues, visitors and other types of blueprint to be included in the blueprint for the style of art for the future of anthropology provides more complete contemporary information.