论文部分内容阅读
知识是一种权力,或代表了一种权力。所谓“话语权”,正是这样一种知识的权力。看起来,如今是知识暴炸的时代。人人都在在“话语”,人人都在制造、传播、接受、消费着知识,似乎各种知识都是呈平等、无序、散漫的状态播散。而真实情况是,有一些知识被有意强化、放大,得到优先传播,而另一些知识则被有意冷落、遮蔽,甚至遗忘。艺术史作为知识,也无例外是一种权力。其撰写、传播和接受的过程,也充满了权力或“话语权”的浓重暗影。塞尚如今已被定论为西方“现代绘画之父”。但也有人出来抖露他不过是一个崇拜古典绘画而力有不逮的笨拙画家：“塞尚对绘画艺术最基本的基础全然无知。”
Knowledge is a power, or represents a power. The so-called “discourse right” is exactly the power of such a knowledge. It seems that today is a time of knowledge explosion. Everyone is in the “discourse.” Everyone is making, spreading, accepting and consuming knowledge. It seems that all kinds of knowledge are disseminated in an equal, disorderly and diffuse way. The truth is that some knowledge is intentionally intensified, amplified, given priority to dissemination, while others are intentionally left out, obscured or even forgotten. Art history as knowledge, there is no exception is a power. The process of composing, disseminating and accepting it is also fraught with a strong shadow of power or “discourse power.” Cezanne has now been finalized as the “father of modern painting” in the West. But others came out to reveal that he was no more than a clumsy painter who admired classical painting: “Cezanne is completely ignorant of the most basic foundations of painting.”