96年第7期《中国花卉盆景》收到后,立刻被封面上的一幅照片吸引住了,这便是伍宜孙大师的新作——《罗汉松》。观整株盆景,呈不等边三角形,既严谨,又洒脱,既疏密有致,又清新自然,既有昂然向天的气概,又有俯首谦虚的胸怀,给人的感觉是赏心悦目、超凡脱俗。并且,经过仔细端量,会发现整个盆景颇似一个大写的“寿”字,越看得细,越觉惟妙惟肖,果然是大家手笔,出手不凡。 After receiving the “Chinese Flower Bonsai” in 1996, he was immediately attracted by a photo on the cover. This is the new work of Master Wu Yi Sun - “Podocarpus”. View whole plant bonsai, was inequilateral triangle, both rigorous, but also free and easy, both sparsely caused, but also fresh and natural, both Angie Xiangtian style, but also bent bow modest mind, gives the impression that is pleasing to the eye, extraordinary vulgar . And, after careful quantity, you will find the entire bonsai is very much like a capital “Shou” word, the more you see the fine, the more vivid, it really is everybody’s hand, extraordinary shot.