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1.《电影作品》《电影作品》(双月刊,由峨眉电影制片厂主办)虽地处偏僻,但91年的理论专栏却办得有声有色,颇有不少命题新颖、思想敏锐的文章。如蔡耀写的《文化背景制约与电影出路》(91年第2期),阐述了新时期以来的中国电影之所以走过了伤痕电影、反思电影到文化电影、探索电影直至近年来的娱乐电影这几个阶段,“这既是电影本身艺术规律运作驱动,更是每一个电影现象所依托的政治、经济和文化的合力
1. “Movie” “Movie” (Bimonthly, sponsored by Emei Film Studio) Although remote, the 91-year theoretical column has been very impressive. There are quite a number of articles that are novel and thought-provoking. For example, Tsai Yao wrote “Cultural Background Control and Films Outlet” (No. 2, 1991), elaborating on the reason why Chinese films have gone through scars movies, film rehearsals, cultural films and film exploration until recent years Film these stages, "This is not only driven by the operation of the art of the film itself, but also the political, economic and cultural forces that every film phenomenon relies on