一个舞台,两段情,三个人,这就是构成《歌剧魅影》的基本元素。多年之后,《歌剧魅影》的续集《真爱不死》带着神秘的面纱回到我们的视线,还是这个展现爱恨情仇的舞台,但是那些曾经的才子歌姬已不复《歌剧魅影》的纯真与无邪,更没有了“爱,就是放手”这样的潇洒与豁达。因为《真爱不死》里面没有了天使与传说,黑与白之间亦因为角色的成长而划出了一片灰色的无光区域。在这里,有暧昧情愫,有秘密情事,有情与欲的纠葛,剪不断,理还乱。我想起大学时期与室友一同看《歌剧魅影》的那个下午,当时是炎炎夏日,但我却感到阵阵寒意。在那个充满诡秘气氛的剧院,“魅影”用生命谱写了一段恋曲。他用情极深,但同时他的爱也令人窒息,无处可逃。我第一次体会到何为“爱比死更冷”。——Mac A stage, two love, three people, this is the composition of “Phantom of the Opera” basic elements. Years later, the sequel to “Phantom of the Opera,” “Never Enthusiastically,” returned to our line of sight with a mystical veil, or the stage of showing love and hate. However, those former witches and songwriters have ceased to be pure “Phantom of the Opera.” And innocent, but no more “love, is to let go,” this smart and open-minded. Because there are no angels and legends in The True Love, there is also a gray, dull area between black and white because of the character’s growth. Here, there are ambiguous feelings, there are secret affair, love and desire of the entanglements, cut constantly, chaos. I was reminded of the afternoon when I was studying “Phantom of the Opera” with my roommate in college. It was a hot summer day, but I felt a chill. In the theater full of secretive atmosphere, “Phantom of the Opera” compose a love song with life. He is passionate, but at the same time his love is suffocating and nowhere to escape. The first time I realized what was “love is colder than death”. --Mac