中国人物画在盛唐五代达到高峰,自南宋日见式微。宋明理学占国学地位后,人性、个性更成了封建文化的绞杀之物。画家为寻求自身安全,多遁迹于山岚水光和花鸟虫鱼之间,人物画长期处于“点景”“比衬”位置。五四以来,人物画幡然崛起,开国后,人物画又一度因图解政治而失去应有的魅力,新时期以来,人物画这条近乎枯竭的河道上百舸争流,大为便是在这激流中搏击奋进的一员。大为擅长工笔重彩,传统晕染技巧十分娴熟,大为水墨造诣很高,技法把握精到,加上其深厚的素描功底,使他有足够的才华在人物画中径情直遂,凤鸣朝阳。如同懂得酒的醇香不是高粱米发酵的气味,大为深谙生活与艺术的真谛。在国画变革的大潮中,大为变法的脚步,如同大漠中的驼印,坚实有力,不歪不斜。他笔下的少数民族人物,造型优美,神情毕肖,意趣高雅。读他的工笔系列《马背上的民族》,如同读一个英雄民族的秘史;读他的工笔巨制《草原上的歌》,宛若与历史老人进行命运的对话;读他的写意小品《任重道远》,我们从骆驼和旅人身上,均能领悟到人生的况味;读他在八尺宣上泼墨的《百驼图》,我们仿佛看到了一座座力的山峰…… Chinese figure painting peaked in the prosperous Tang Dynasty and the Five Dynasties. After the Neo-Confucianism of Song and Ming dynasties occupied the status of a sinology, human nature and individuality became the strangulation of feudal culture. In order to seek their own safety, the painter tries to find out more about the water between Lan Shan and flowers, birds and insects, and the figure painting has long been in a position of “spot view” and “contrast”. Since the May 4th Movement, figure painting has risen dramatically. After the founding of the People’s Republic of China, figure painting once again lost its charm due to the politics of illustration. Since the beginning of the new era, figure painting has become a hot topic in this nearly exhausted river. Excitement in the torrent of fighting a member. Greatly skilled in metamorphosis, the traditional blooming skill is very adept, great ink attainments, techniques to master fine, coupled with its profound sketch skills, so that he has enough talent in character painting path straight, Fengming Sunburst. As well as know the wine mellow is not the smell of sorghum rice fermented, greatly understands the true meaning of life and art. In the tide of the revolution of Chinese painting, the footsteps of the Great Transformation, like the hump in the desert, are strong and powerful, not crooked. The characters of ethnic minorities in his works are handsome in appearance, elegant in expression and elegant in taste. Reading his series of pen and writing “The Nation on Horseback” is like reading the secret history of a heroic nation; reading his comic song “The Song on the Prairie” is just a dialogue with the fate of the historical elders; reading his freehand sketch “A long way to go” We can all realize the state of human life from the camels and travelers, and read the hundred-hump figure he drew on the Bafu, and we seem to have seen a seat of strength ...