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一九五○年的秋天,金风送爽,天高云淡,从北京开往西安的火车上,乘坐着一支头戴八一帽徽、身穿草绿色军服的约二百余人的大型京剧团。这就是解放后首批奔赴新疆乌鲁木齐的京剧工作者——新疆军区京剧院的同志们。在他们中间,坐着一位目光炯炯有神,穿一套灰色制服的中年人,他谈笑风生。颇具学者风度。不少青年演员聚拢在他的身旁,他们时而屏息静听,时而笑声朗朗。这位中年人,就是驰名中外的京剧表演艺术家程砚秋。一九五○年初,当时任中国人民解放军第一兵团司令员的王震将军,委托著名老艺人梁花侬,在北京北长街(西北剧校旧址)组建新疆军区京剧院,梁花
In the autumn of 1950, the golden winds shone, with a high sky and clear sky. From Beijing to Xian on the train, a large-scale Beijing Opera Troupe. This is the first group of Beijing opera workers who went to Urumqi, Xinjiang Province, after liberation, comrades of the Xinjiang Military Region Peking Opera Theater. Among them was a middle-aged man in a gray uniform, with a sparkling gaze, and he was laughing. Quite scholarly style. Many young actors gathered beside him, they sometimes breathless, sometimes laughter Lang Lang. The middle-aged man is Cheng Yanqiu, a well-known Beijing opera performing artist. In early 1950, when General Wang Zhen, commander of the First Corps of the Chinese People’s Liberation Army, commissioned the famous veteran Liang Huaonong to form the Xinjiang Military Region Peking Opera Theater at Beijing North Long Street (the site of Northwestern Drama School)