绘画发展至明朝时,画家接宋元衣钵,在明朝四家(文征明、唐寅、沈周、仇英)中体现得尤其明显。从整个中国绘画发展的情况来看,明朝四家,山水画也是一变。之后在清朝初期,“四王”的出现,复古之风盛行,在艺术形式上是～种“照搬式”的沿袭,但在重视笔墨与艺术“心象”上却打开了一个新的面貌。“四王”的绘画艺术历来受争议很大,即 The development of painting to the Ming Dynasty, the painter Song Yuan mantle, in the Ming Dynasty four (Wen Zhengming, Tang Yin, Shen Zhou, Qiuying) is particularly evident. From the perspective of the development of the entire Chinese painting, the four Ming dynasties and the landscape paintings are also changed. Later in the early Qing Dynasty, the emergence of the “Four Kings” prevailed in the retro style and was followed by the “art of copying” in the art form, but it was opened up in the emphasis on pen and ink and art A new look. “Four Kings ” painting art has always been controversial, that is