我没有看过DV8身体剧场的现场演出,一场都没有,却看了DV8身体剧场绝大多数的舞蹈电影。说不清悲喜……事实是,在这个时代,和舞蹈家的相识,和舞蹈作品的相遇,大多数已经不在剧场,而是在影像中,在闪烁的屏幕前。DV8把自己的作品拍成舞蹈电影的初衷,就是要让更多的观众看到他们的作品,而在这个过程中,DV8的影像激发了当代舞蹈的想象、争论和进化,DV8的灵魂人物劳埃德·尼尔森(Lloyd Newson)也慢慢兼具了编舞和电影导演的双重角 I have not seen the DV8 body theater live performances, one at all, but saw the DV8 body theater most of the dance movies. Can not tell the tragedy ... The fact is, in this era, and dancers, met with the dance works, most are not in the theater, but in the image, in front of the flashing screen. The original intention of DV8 to make its own work a dance movie is to make more audiences see their works. In this process, the images of DV8 inspire the imagination, controversy and evolution of contemporary dance, and the soul of DV8 Lloyd Newson slowly became the dual angle between choreographer and film director