一、喜忧参半的《花月影》现象《花月影》在广东粤剧界“一石激起千层浪”,首演至今一年了,每当提及,还争论不休,而且两极分化,赞扬的,否定的,各执一端,长期相持不下:在传统粤剧圈外,赞扬和肯定的意见呈绝大多数,人们惊奇“粤剧还可以演成这样”,“这样精致这样美”,“好听好看好懂”:在传统的粤剧圈内,不说是大多数,至少也有相当一部分人,持完全反对、抵触的意见,而且相当坚定,认为它“舍弃了粤剧固有的传统”,“根本就不是粤剧”。更有甚者,直接“向倪惠英小姐进一言”,奉劝她“不如创造一个新剧种”。应该说,除了极个别的带情 First, the mixed “flower moon shadow” phenomenon “Flower Moon Shadow” in Guangdong’s Cantonese opera “a stone provoked Melaleuca waves”, the debut has been a year, whenever it is mentioned, but also endless debate, and polarization, praised, negative , Each holding one end, long-term stalemate: in the traditional Cantonese opera circle, the majority of praise and affirmative opinion was the most, people were surprised that “Cantonese opera can perform like this”, “so refined and beautiful”, “nice and optimistic” : In the traditional Cantonese opera circle, it is not the case that most, at least, a considerable number of people hold totally opposed and contradictory opinions. They are rather determined that they “give up the tradition of Cantonese opera” and “are not Cantonese opera at all.” What is more, directly “to Miss Ni Huiying into a word,” advised her “better to create a new drama.” It should be said, except for a very few other lovers