当下的纪录片创作,虽然每年的作品数量众多,但总体质量不高,能与国际市场接轨的作品不多。这种状况与我国目前纪录片生产和创作的社会环境、行业体制和机制息息相关。纪录片创作还处于一种各自为战的状态,缺乏整体策划、指导政策和机制。随着上个世纪90年代初的纪实主义浪潮的兴起,中国纪录片出现了一个高潮,但从90年代中后期起,纪实主义浪潮达到颠峰状态之后,逐渐走向反面。在 The current documentary creation, although a large number of works each year, but the overall quality is not high, can work with the international market is not much work. This situation is closely related to the social environment, industrial system and mechanism in the present documentary production and creation in our country. Documentary creation is still in a war of states, the lack of overall planning, guiding policies and mechanisms. With the rise of the wave of the realism in the early 1990s, the documentary in China showed a climax. However, since the middle of the 1990s, when the tide of the documentarianism reached its peak, it turned to the opposite direction. in