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香港流行音乐产业一直在走下坡路是不争的事实,但会否如李纯恩狠批的“已死”地步却有待商议,最起码,乐坛还有很多很多的有心人用自己的实际行动去力挽狂澜、去探索粤语流行音乐的新可能。C AllStar的《Cantopopsibility》适时面市,正是以最直接、最有力的方式响应李纯恩的唱衰声,它告诉大家知道现在的广东歌仍具自己的魅力,也叫大家明白,广东歌仍有可能去“追回”那些已经不再听它的人。
Hong Kong’s pop music industry has been declining. It is an indisputable fact that whether the “dead music” issue such as Li Chunneng will have to be deliberated, at the very least there are still many, many caring people in the music scene who will turn their tide in their own hands. To explore the new possibilities of Cantonese pop music. C AllStar’s “Cantopopsibility” timely launch, it is in the most direct and most powerful way to respond to Lee Chun-yun’s singing and decaying, it tells everyone that the Cantonese song is still with its own charm, also known as Cantonese song is still possible Go to “recover” those who no longer listen to it.