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伴随着当代社会文化转型与大众艺术的勃起,当传统的书法艺术以“新型”的观念、手法、形式、趣味,以及以商品的外包装而充斥、流行于人们的阅读市场,并失去其本真应有的典雅范式与艺术魅力的时候,而作为创作主体的人的价值追求与精神指向也便不自觉地发生着两种截然不同的角色转换:一类是为“物”的诉求所役使,以艺术形式为依托而使心灵走上了不归之途;而另一类则是以精神的滋养与文化的淘洗为终端,于孤寂与自奋中固本守根,以理性而所独
With the social and cultural transformation of contemporary society and the erection of mass art, when the traditional calligraphy art is dominated by the concepts, methods, forms, tastes, and packaging of commodities, popular in people’s reading market and lost Its true and proper paradigm and artistic charisma, while the value pursuit and spiritual orientation of the person who is the main body of creation unconsciously take two completely different roles: one is for “material” Of the demands of the service, relying on the art form so that the soul embarked on a journey of no return; while the other is based on spiritual nourishment and culture of panning as the terminal, in solitude and self-solid solidarity with the root, Rational and independent