一背景由梵森大学[Universite de Vincennes]电影系制作的影片《团结一致》[Soyons tout],是在法国1968年“五月风暴”后的意识形态和艺术氛围下拍摄的。在这个被让-弗朗索瓦·利奥塔[Jean-Francois Lyotard]界定为“假想爆发”[explosion d’hypotheses]的运动中,电影的政治取向逐步衍生、凸显出来,在法国内外切切实实地产生出不同的影响力。就法国电影而言,这一新的取向可以从让·雷诺阿[Jean Renoir]1936年关于“人民阵线运动”[Front Populaire]的两部当代影片《生活属于我们》[La vie est a nous,1936]和《马赛曲》[La In the background Soyons tout, a film produced by the Universite de Vincennes film department, was shot in the ideological and artistic atmosphere of France in the wake of the May storm of May 1968. In this movement, Jean-Francois Lyotard’s definition of “explosion d’hypotheses,” the political orientation of the film was gradually derived and highlighted, both inside and outside France Exactly produce different influence. In the case of French cinema, this new orientation can range from two contemporary films Jean Renoir’s 1936 film “Front Populaire” “Live belonging to us” [La vie est a nous, 1936] and Marseillaise [La