《画刊》:在天津美院版画系读书的时候,为什么选择木刻作为主修专业?徐娜:主要有两个原因。第一是木刻专业特别符合我的性格,我比较喜欢这种手工性强、复杂制作的过程。第二是其他的版种都需要版画机器作为创作条件,如果毕业后离开学校的工作室,自己创作的物料成本比较高,相比较来说,木刻就直接和便捷很多,相对来说受器材的约束会少一些,我当时大致是出于这两方面的考虑。 “Pictorial”: In Tianjin Fine Arts Department of printmaking, why choose woodcut as a major? Xu Na: There are two main reasons. The first is a woodcut professional in particular, in line with my character, I prefer this handmade strong, complex production process. The second is the other version of the need for printmaking machines as a creative condition, if you leave the school studio after graduation, their own creative materials cost is relatively high, compared to woodcut directly and a lot of convenience, relatively speaking, by the equipment Constraints will be less, I was largely out of these two considerations.