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一、接受美学理论概述随着人类进入20世纪,包括接受美学在内的各种文学理论辈出,文学的本体意识被普遍唤醒。接受美学作为当今文学理论影响最大的流派之一,颠覆了传统的生产美学和描写美学,并对“作者中心论”和“文本中心论”进行了深刻的批判。它以现象学和解释学为理论根基,建立起以读者为中心的理论体系,并从欧美和日本等国传播开来,是当代文学研究的一次重要转向。姚斯和伊瑟尔是接受美学的两个主要代表人物,
I. Introduction to Accepting Aesthetic Theory With the advent of mankind into the 20th century, including various literary theories including aesthetics, the awareness of the ontology of literature is generally aroused. Accepting aesthetics as one of the most influential genres in literary theory today has subverted the traditional production aesthetics and descriptive aesthetics and has profoundly criticized “author center theory ” and “text center theory ”. It takes phenomenology and hermeneutics as the theoretical basis, establishes a reader-centered theoretical system and spreads from such countries as Europe, the United States and Japan. It is an important shift in the study of contemporary literature. Yao Si and Isel are the two main representatives of aesthetics.