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本文从社会学的角度,分析了古典音乐主流演绎形式原真演绎彰显出的身份象征和相对流行音乐演绎形式彰显出的对商业文化霸权的反抗,继而在社会—审美上提醒音乐演绎形式应以当下的人文情怀来接近作曲家的真实意图和大众的审美娱乐。
From sociological point of view, this article analyzes the identity symbol of the original deduction of classical music and the opposition to commercial cultural hegemony which is manifested in the form of relative popular music, and then reminds the public that the form of musical deduction should be based on The current human feelings come close to the composer’s true intentions and the public’s aesthetic entertainment.