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基于对塞万提斯、斯丹达尔、陀思妥耶夫斯基以及普鲁斯特等人的文学文本的考察,基拉尔提出了“模仿欲望”概念。基拉尔旨在破除各种浪漫主义宣扬的人的自主性神话。运用这样一个介于社会学和心理学之间的概念,基拉尔一方面实现了对传统柏拉图模仿观的解构,推进了模仿传统在当代的发展;另一方面也表现出与弗洛伊德心理欲望分析的不同,彰显了其心理阐释的独特性。此概念并非无懈可击,而是存在一定的局限:第一,概念定义的模糊性;第二,无法涵盖所有浪漫欲望的变体;第三,欲望三角的片面深刻,即基拉尔试图结构化的是对人际关系的一种经验主义的理解。
Based on the literary texts of Cervantes, Skandar, Dostoyevsky, and Proust, Killal proposed the concept of “imitation desire.” Killard seeks to break the myth of human autonomy that various romanticisms preach. Using such a concept between sociology and psychology, Killar realized on the one hand the deconstruction of the traditional Platonic imitation concept, advancing the development of the imitation tradition in the contemporary era, and on the other hand, The analysis of psychological desires shows the uniqueness of their psychological explanations. This concept is not perfect but has some limitations: first, the vagueness of conceptual definitions; second, the inability to cover all variants of romantic desires; and third, the one-sidedness of the triangle of desire that Killard attempts to structure Is an empirical understanding of human relationships.