短篇小说《荒原》是美国作家雷·布拉德伯里科幻惊悚小说集《图案人》中的第一篇。本文从认知叙事学角度对《荒原》进行了文本分析,分别从叙事顺序、对话对叙事的作用和叙事角度等方面探讨了布拉德伯里是如何在紧凑的情节中成功完成了科幻世界的搭建和任务的塑造,通过对一家人琐碎生活的叙述揭示了在科技发展下个人和家庭异化、亲情的泯灭和童真的丧失的赤裸裸的现实,并将惊悚程度逐渐推向高潮。 The short story “The Waste Land” is the first of the “Design Man” by the American writer Ray Bradbury’s sci-fi thriller novel. This article analyzes the texts of the “Waste Land” from the perspective of cognitive narratology and explores how Bradbury succeeded in completing the science fiction world in a compact scenario from the perspective of narrative order, the role of dialogue in narrative and narrative perspective Through the narration of the trivial life of a family, it reveals the naked reality of alienation of family and individuals, loss of affection and loss of innocence under the development of science and technology and gradually brings the horror level to a climax.