根据故宫所藏传世作品来看,明清时代的犀角雕刻制品是非常引人注目的,艺人们利用犀角扁底尖顶的形状,雕镂成花纹各异的杯、爵等酒器。在明代,中国与南亚、非洲各地的经济、文化已有交流,犀角自远方不断输进,因此犀角雕刻艺术与竹、木、金、玉的雕刻艺术同步为艺林珍赏之品。从 According to the possession of the Forbidden City handed down from the works of view, the Ming and Qing Dynasties rhinoceros horn carving products is very compelling, artists use the shape of the rhinoceros flat bottom spire, carved into different patterns cups, jazz and other wine. In the Ming Dynasty, there was exchange of economy and culture between China and South Asia and Africa, and the rhinoceros horn was continuously imported from afar. Therefore, the carving art of rhinoceros horn and the carving art of bamboo, wood, gold and jade are the same as those of Yi Lin. From