论文部分内容阅读
话剧的现状,似乎不大美妙。只是,不美妙并不一定意味着衰落,也许倒意味着新生。因为,老路一旦走到维谷之境,恐怕就该探寻新途了。前不久,我们观看了由中央戏剧学院上演的苏联当代剧作《老式喜剧》。观赏之余不禁想到:这样一部看上去平易单纯,自始至终只有两个角色和若干个生活小景的剧作,为什么能在两个多小时的演出过程中一直吸引、牵动着观众,为什么不仅在苏联,而且在英国、美国、法国、日本等许多国家,也同样获得那样让人羡慕的名声呢?我们想,悉心辨察成功者的足迹,对正在苦心探求话剧出路的我们,会有益处。
The status of the drama, it seems not very wonderful. However, not being beautiful does not necessarily mean declining, perhaps down to new life. Because, once the old road to the valley of peace, I am afraid we should explore new ways. Not long ago, we watched the “Old-fashioned Comedy” of the Soviet Union, staged by the Central Academy of Drama. I can not help but think of watching: such a seemingly simple, from beginning to end only two roles and several life scenes of the play, why can be more than two hours in the show has been attracted, affecting the audience, why not only in The Soviet Union, and its enviable reputation in many countries such as Britain, the United States, France, Japan, etc. We think it would be good for us to carefully identify the successful footprints of those who are struggling to find their way out of the drama.