无论是书写中国百余年的话剧史,还是探讨中国当代话剧的发展规律、艺术水准、形态样式等,北京、上海都是无法忽略的两个地理坐标。作为中国话剧艺术的重镇,京沪两地既肩负着传承、推广、捍卫话剧艺术的责任,又在以各自的方式完成着话剧艺术从传统到现代、从封闭到开放、从“舶来品”到本土化、民族化的嬗变,锻铸着各自的文化品格和探索方向。进入新时期以来,有关京沪两地话剧的比较、争论从未间断,两地之间的演出交流也在以各种方式进行着,但是更多的比较还是集中在基于地域文化不同而造成的 Whether writing more than a hundred years of history of drama in China, or exploring the law of development, artistic standards, and forms of contemporary Chinese drama, Beijing and Shanghai are two geographical coordinates that can not be ignored. As the center of Chinese drama art, Beijing and Shanghai not only bear the responsibility of inheriting, promoting and defending the drama art, but also fulfill the drama art from tradition to the modern in each way, from the closed to the open, To localization, the evolution of nationalization, forging cast their own cultural character and exploration direction. Since the entry into the new period, the debate on the drama between Beijing and Shanghai has never stopped, and the exchange of performances between the two places has also been conducted in various ways. However, more comparisons have focused on the differences between the two places in terms of geographical and cultural differences