在20世纪80年代,文备就以其艺术作品独特的面貌出现于中国画坛。文备不同于那一时期及其后出现的其他的水墨画家,如李世南、谷文达、刘子健、石果等。文备的“诗情主义”水墨艺术是滋养于中国传统文化,吸取前人艺术的精华,在现代文化语境中创造的新艺术风格,是在现代文化背景下,对传统艺术的重新诠释。他的画既源于他对中国传统书画语言精髓的感悟和对古代诗歌意境的体验,又得益于他对当下时代文化精神的深刻理解与把握。他的作品看似与传统决裂得那么彻底,但意境中却依然传达着中国人的审美精神,因为他是把诗、书、画融入了现代人的审美趣味并以新的方式和谐地组合在一起,使得中国传统艺术的现代性一面得到了充分展现。因此,他的画中充满着诗情画意,既超凡脱俗,又体现着强烈的时代精神。 In the 1980s, Bianbu appeared on the Chinese painting scene with the unique appearance of his artwork. Different from other artists who appeared in that period and later, such as Li Shi-nan, Gu Wenda, Liu Zi-jian, and Shi Guo. The “poeticism” ink art is a new art style that nourishes the Chinese traditional culture and absorbs the essence of the predecessors’ art. The art style created in the context of modern culture is a reinterpretation of the traditional art under the background of modern culture. His paintings originated from his comprehension of the essence of the traditional Chinese calligraphy and painting and the experience of the artistic conception of ancient poetry as well as from his deep understanding and grasp of the cultural spirit of the present era. His works appear to be so complete as the traditional ones, but the artistic conception still conveys the Chinese people’s aesthetic spirit because he has integrated poetry, books and paintings into the modern aesthetic taste and harmoniously combined in a new way. Together, the modernity of Chinese traditional art has been fully demonstrated. Therefore, his paintings are full of poetic, both vulgar and refined, but also reflects the strong spirit of the times.