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7月围绕北京的话题如火如荼,重磅新闻轮番搅动着人们的神经,因其背后又意味着“新北京”在未来的新变化。北京,哪一刻没有变化呀!让我没想到的是,8月初在国家大剧院小剧场“中国舞蹈十二天”的系列演出中,一部由旅澳舞蹈家张晓雄创作的现代舞作品《古城》却给了我一个机会,让我静下来,感悟北京,难得这样推心置腹地与生活在其间的自我对话。北京,这个我居住了20余年的异乡,早已成为融入我生命的城市。观剧结束,踏上地铁,感受着那些与我擦肩而过的陌生人,一瞬间我仿佛穿越了时空,那些
The topic of Beijing in July is in full swing. Heavy news is stirring up people’s nerves because behind it means new changes in the future of “new Beijing.” Beijing, what moment did not change it! I did not expect that in early August in the National Center for the Performing Arts theater “Chinese dance twelve days ” series of performances, a modern dance work by the tour Australian dancer Zhang Xiaoxiong “Ancient City” gave me a chance to calm down and reflect on Beijing. It is rare for me to push my self-centered dialogue with living in the meantime. Beijing, the stranger I lived in for more than 20 years, has long since become a city into my life. The end of the play, set foot on the subway, feeling those strangers who pass me, the moment I seem to cross the time and space, those