一、论地理环境对艺术创作的影响从董其昌在绘画上提出南北宗之说以来,将近四百年了。尽管这个提法至今还有人怀疑或反对,可是南北宗的学说,毕竟是有识之见,否定它是徒然的。看不见中国封建社会里宫廷贵族和士大夫之间的美学观的对立,只能说缺乏历史的分析眼光。好在否定南北宗的观点,越来越得不到美术史研究者的支持,因此这个争论,已经不是南北宗研究所要讨论的主要问题了。目前需要讨论 First, on the impact of geographical environment on artistic creation Dong Qichang put forward in the painting on the South-North case since nearly four centuries. Although there are still some doubts or oppositions to this formulation, the doctrines of South and North religions are, after all, knowledgeable and they are in vain. Can not see the feudal society in China between the aristocracy and the scholar of the opposite view of aesthetics, can only say that the lack of historical analysis. Fortunately, denying the viewpoints of South and North religions and gaining less and less support from art history researchers, this argument is no longer the main issue to be discussed by the North-South studies. Currently need to discuss