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艺与技石涛(1642-约1718)十分重视自己的感觉,竭力主张每次依据不同的感受创造相适应的绘画技法,这就是他所谓“一画之法”的基本观点。别人批评他的画没有古人笔墨,因为他拒绝将古人的须眉长到自己的脸面上．但是凡主张创新的人们却常引用他的名言: 笔墨当随时代。他珍视艺术的整体效果,画而的局部绝对服从全局的需求,他大胆用拖泥带水皱、邋遢透明点,有意将自己的作品命名为“万点恶墨图”。艺术规律没有国界,不分古今,只是人们认识规律有早晚,有过程,有深浅。威尼斯画家弗洛内兹(Veronese,1528- 1588)画画以色彩绚丽闻名,有一次面对着雨后泥泞的人行道,他说:我可以用这泥浆色调表现一个金发少女。他阐明了一个真理:绘
Arts and Technology Shi Tao (1642 - about 1718) valued his feelings very much and argued vigorously that every time he used different feelings to create appropriate painting techniques. This is what he called the “law of one painting”. Others criticize his paintings for lack of ancient brushstrokes, because he refused to grow the ancient man’s eyebrows to his face. However, people who advocate innovation often quote his famous saying: The pen and ink should be used at any time. He cherishes the overall effect of art, and the painted part is absolutely obedient to the needs of the whole world. He boldly uses water, water, and transparency to intentionally name his work as “The Map of Evil in the Night”. The law of art has no national borders, no distinction between ancient and modern, but it is only a matter of time when people understand the laws, there are processes, and there are depths. The Venetian painter Veronese (1528- 1588) was famous for his colorful paintings. Once he faced the muddy sidewalk after the rain, he said: I can use this muddy tone to represent a blond girl. He clarified a truth: painting