期待着得到艺术家及其受众的推崇 ,这似乎已成为文论家们的职业习惯 ,当代中国文论亦然。但从目前普遍的“边缘心态”中人们可以看出 ,这种“他律论诗学”其实是一种典型的自恋主义文化的表现 ,它以一种虚拟的文化义务作为自己的价值基础 ,从而对自身的意义作出了自我解构。本文认为 ,当代中国文论必须摆脱文化自恋主义立场 ,明确其作为一种人文言说的话语特性 ,建构起“自律”的诗学 ,才能落实其学科定位 ,真正有所作为 Looking forward to being respected by artists and their audiences, it seems to have become a literary homeownership, as is contemporary Chinese literary theory. However, from the prevailing “marginal mentality”, one can see that this “theory of law theory” is actually a manifestation of a typical narcissistic culture. It takes a virtual cultural obligation as its own value basis , Thus making a self-deconstruction of its own meaning. This paper argues that contemporary Chinese literary theory must get rid of the position of cultural narcissism, make it clear that it is a kind of discourse characteristic of humanistic sayings, and construct “self-discipline” poetics in order to implement its disciplinary position and truly make a difference