感受与判断,冲动与抑制,情感与理智,体验与表现,任何一个有着丰富的舞台实践经验的表演艺术家,都会证明它们贯串于演员创造人物形象的全过程。换言之,在演员与角色之间,始终存在着一种有戏却又无戏、若即若离、若隔若融、入戏出戏的情感间距(亦可称作间情)。这种情感间距,随着客观环境的变化,随着演员心境的变化,随着剧中规定情境的变化,具有着微妙的瞬间的甚或是非常明显的伸缩性。 Perceptions and judgments, impulsiveness and repression, emotion and reason, experience and performance, and any performance artist who has rich practical experience in the field will prove that they are all involved in the whole process of creating characters by actors. In other words, there is always a kind of play between the actors and the characters. If there is no movement at all, the emotional distance between the actors and the actors (also called intercourse) may be different. This emotional distance, with the objective environment changes, with the actors mood changes, with the drama of the situation changes, with a subtle moment or even very obvious flexibility.