去年,在“全国第十届书法篆刻作品展”的大厅里,晁玉奎先生的书法作品给我留下了很深的印象。他那以情掣笔,随性挥洒,无障无碍,一往无前的精神状态;他那势如挥戈舞剑,八面出锋,纵横不羁而又法兼碑帖,拟于画意的用笔及浑劲酣畅、激荡多变的线的运动;他那因势利导、随机应变的用笔及布白,具有鲜明的浪漫主义色彩。晁玉奎先生的书法创作近年来勇猛精进,在上海受到广泛的关注。特别是他的行草作品,既渗透着现代人 Last year, in the hall of the 10th National Calligraphic and Seal Cutting Exhibition, Mr. Chao Yukui’s calligraphy left a deep impression on me. His mood pen, penniless, barrier-free, without precedent, the state of mind; his potential like waving his sword, eight out front, vertical and horizontal unruly and law and rub the inscription, intended to paint the pen and muddy Hard hearty, stirring changes in the line of movement; his trend-setting, adaptable pen and cloth white, with a clear romantic color. Mr. Chao Yukui’s calligraphy creation has been brave and sophisticated in recent years, receiving wide attention in Shanghai. In particular, his works of art are permeating both modernity and modernity