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京剧《白毛女》是20世纪50年代京剧现代戏探索中具有导向性、突破性的剧目。它在运用传统艺术形式表现现代生活方面取得突出成绩,并积累了宝贵经验。该剧编创人员与戏曲界人士,从“戏曲音乐的继承与革新”“表演程式的继承与改造”“民族艺术继承、革新的得失”等方面,对于该剧在传统艺术形式继承、革新方面的经验及不足进行广泛探讨。这些创作实践与理论总结都使该剧成为现代题材京剧创作的承上启下之作。
Beijing opera “White-Haired Girl” is a directed and groundbreaking play in the exploration of modern opera in Peking Opera in the 1950s. It has made outstanding achievements in using modern art to express its modern life and has accumulated valuable experience. The playwright and the opera industry practitioners from the “inheritance and reform of opera music ” “the succession and transformation of performance programs ” “succession of national art, the gains and losses ” and other aspects of the play in the traditional arts Form inheritance, innovation and lack of experience to conduct extensive discussions. These creative practices and theoretical summary make the play a modern theme of Beijing opera creation.