没有人能说清楚,素描和速写是何时从绘画领域里被人为拆分成不同的两个部分的。然而,又有谁能从伦勃朗用炭笔、粉笔、墨汁画出来的写生中再分割出素描与速写来?米开朗基罗、门采尔、鲁本斯,他们在写生领域中均有所成就。在众多大师的素描当中,有关老旧民居写生的题材占有相当大的比例。中国各地都遍布老旧的民居,这些民居似乎是中国最常见、最接地气的建筑。很大程度上,老旧民居承载着城市与乡村的历史,继而彰显出每个城市与 No one can make it clear when sketches and sketches were artificially split into two distinct parts of painting. However, who else can draw sketch and sketches from Rembrandt’s sketching with charcoal, chalk, and ink? Michelangelo, Menzel, and Rubens, both of whom have sketches of sketching Achievements. In the sketches of many masters, the subject matter of sketches of old houses occupies a large proportion. Old houses are scattered all over China, and these houses seem to be the most common and popular buildings in China. To a large extent, the old dwellings carry the history of cities and villages, which in turn shows how each city and