当我第一次面对刘永刚的大型文字系列雕塑作品的时候,我的第一个感受是“站立的文字,行走的人”,还有一个感受是“象形的文字,象征的意”。刘永刚用“爱拥”这个题目为他的文字雕塑系列命名说明他给作品注入的是一种“爱的寓意”。感受着这种虽不强烈但却温暖、难以言传只可意会的象征性的爱意,我在刘永刚“字雕艺术”的丛林中神游,并试图从艺术史的逻辑中探寻其爱的源泉。 When I first met Liu Yonggang’s large-scale series of sculptures, my first impression was “standing script, walking person” and another feeling was “hieroglyphic, symbolic meaning.” Liu Yonggang used the title of “love” to name his series of literary sculptures to show that what he injected into the work was a kind of “moral meaning of love.” Feeling this symbolic love, though not strong, but warm and hard to say, can only be symbolized, I wander through the jungle of Liu Yonggang’s “Carving Arts” and try to explore the source of her love from the logic of art history .