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法国当代作家米歇尔·乌埃勒贝克的《基本粒子》以隐喻的方式、科幻的手法,通过对植根于爱欲之上的两个同母异父兄弟的不同成长经历及结局的人性考察,构建了一出析离爱欲、革旧布新、科技“造人”的当代悲情神话。“造人”神话作为一个伦理实体,其目的与手段之间形成的反人性悖论挑战当代人对顺性和节欲、对善恶认知的道德底线。“造人”神话由神而人,由人而“基因”的变异凸显出当代伦理危机。作者通过“造人”神话实际上是再次发问:人类向何处去?
The “Basic Particle” of French Contemporary Writer Michel Ueberback uses the metaphorical way and the science-fiction approach to analyze the human nature of the different growth experiences and the ending of two half-brothers who are rooted in love and desire Investigate and construct a myth of contemporary tragedies of separation from Eros, leather and cloth, science and technology “making man ”. “Making man ” myth as an ethical entity, the anti-humanity paradox formed between its purpose and means challenged the moral bottom line of the contemporary for the obedience and abstinence, the cognition of good and evil. The myth of “making mankind” is from the divine and the human, and the variation of the “gene” from the human highlights the contemporary crisis of ethics. The author’s “Made Man” myth is actually asking again: where do humans go?