芭蕾舞剧《天鹅湖》自面世以来在世界舞台上经演不衰,对于这部作品的研究却常因其体裁的综合性而略显偏颇,其中以单独研究舞蹈或音乐的探讨居多。本文尝试通过与芭蕾舞剧这一综合性体裁相应的多维视角——视觉—芭蕾、听觉—音乐、以及审美—戏剧,来追溯其经典化的缘由。 Since the ballet Swan Lake has been on the world stage since its inception, its research on this work is often biased by the generality of its genres. Among them, the study of dance or music alone is mostly discussed. This article tries to trace the reasons for its classicization through the multi-dimensional perspective corresponding to the comprehensive genre of ballet - visual-ballet, auditory-musical, and aesthetic-drama.