“淡淡的哀愁,沉沉的相思,”这似乎成了著名导演吴贻弓的创作风格。《巴山夜雨》、《城南旧事》充分洋溢了这种风格,从而奠定了吴贻弓在影坛上的地位。这种风格追求诗化、散文化、淡化情节,用画面、声音、造型叙述着创作者对世界的感受。但是,由于千百年来的戏剧文化传统的影响,广大观众都比较偏重情节、结构,喜欢创作者对人物的浓墨重彩的描写,因此诗化创作风格的知音并不很多。吴贻弓拍完《城南旧事》,赞誉纷至,于是他又推出诗化风格更进一步的《姐姐》,尽管在音响、画面处理上有独到之处,然曲高和寡,意料 “A touch of sadness, heavy acacia,” it seems to have become the famous director Wu Yi Bow creative style. “Busan rainy night”, “South of the old” full of this style, which laid Wu Yi bow in the film’s position. This style pursues poetic, prose and desalination, narrates the creator’s feeling to the world with pictures, sounds and shapes. However, due to the cultural and cultural traditions of the past few centuries, most audiences are more concerned with the plot and structure and like the author’s description of the thick and heavy character of the characters. Therefore, there is not much poetic style of composing poetry. Wu Yi bow finished “old things in the South”, praise numerous, so he introduced a poetic style further “sister”, despite the sound, picture processing has its own uniqueness, but highbrow, unexpected