我们现在是站在什么样的立场上,用什么样的眼光,用什么样的标准,用什么样的思想方法评判和分析当前纪实摄影的现状,得出的结论是会截然不同的。 我国的纪实摄影,经过新时期以来的快速发展,现已确立了在各个摄影门类之中的潮头地位。特别是伴随着解海龙先生《希望工程》专题的问世,把中国当代的纪实摄影推向了一个新的阶段。由此,一个时期以来,理论界 What kind of standpoint we are now standing on, what kind of vision we are using, what kind of standards we use and what kind of thinking we should use to judge and analyze the current status of current documentary photography leads to very different conclusions. The documentary photography in our country, after the rapid development since the new era, has now established the forefront among the various photographic categories. Especially with the advent of Mr. Xie Hailong’s “Project Hope”, China’s contemporary documentary photography has been pushed to a new stage. Thus, a period of time, theorists