谈及美术与鲁迅,不禁使人想起《朝花夕拾》中鲁迅关于绘画的翩翩的儿时回忆,想起鲁迅晚年所倾力的中国新兴木刻运动,想起鲁迅所遗留给我们的字体隽秀而不失力量之美的手稿,以及数量不多的诗稿。鲁迅在常人眼里是以他的文章、思想为显的。汗牛充栋的鲁迅研究论著和论文中,关于他和美术关系少受关注,特别是具体美术形式,如书法、绘画(除木刻而外)等相关研究还是相对薄弱的。读图的时代风尚开发了新的研究视域,今年广东鲁迅学会在书画之乡、风筝之乡的阳江召开了“鲁迅与书画摄影艺术研讨会”。作为研讨会的成果之一,《鲁迅与书画摄影艺术》可谓给我们带来了新的气息。这本书虽只是一本薄薄的小册子,但其中论文所涉面之广,探讨相关的问题之深入细致也是前所未有 Speaking of art and Lu Xun, we can not but remind of Lu Xun’s fond childhood memories of painting in his retrospective, think of the new Chinese woodcut movement that Lu Xun devoted himself in his later years, think of the fonts that Lu Xun left us, Without losing the beauty of manuscripts, as well as a small number of poems. Lu Xun in the eyes of ordinary people is based on his article, thought was evident. In his research articles and dissertations of Lu Xun, he has been less concerned about his relationship with the fine arts, especially on the specific art forms such as calligraphy and painting (except woodcuts). Reading the era of fashion has developed a new research perspective, this year’s Guangdong Lu Xun Society in the hometown of calligraphy and painting, Yangjiang Jianguo held a “Lu Xun and calligraphy photography art seminar ”. As one of the outcomes of the seminar, “Lu Xun and the art of painting and calligraphy” can bring us a new atmosphere. Although this book is only a thin pamphlet, the extensive coverage of the dissertations in the essay is unprecedented in its discussion of related issues