时下的中国画坛,夸饰和虚假,媚俗和矫情,可以说是并不鲜见。在太多的作品里,总是找到与西方大师的作品母题与范式的雷同;也有不少画家追逐时尚,将创作自我导入准“行画”的死胡同。并且,上述这些状况愈演愈烈,甚至走入恶俗得令人不堪的地步。 十多年前初识彭鸣亮,便为他自我意识强烈的画风所吸引,虽然其绘画语言尚显稚嫩,但是画面中那种明朗、纯朴而又浪漫的气息扑面而来,作品的题材多是以女人体为主题,色彩明度高,线形 Chinese contemporary art scene, exaggerated and false, kitsch and hypocrites, can be said to be not uncommon. In too many works, they always find the similarities and differences between the motifs and paradigms of the works of the Western masters. Many painters chase after fashion and lead the creation of self into the dead end of “painting”. Moreover, these conditions have intensified and even become ridiculously unbearable. More than a decade ago he met Peng Mingliang and attracted him with a strong sense of self-awareness. Although the language of his painting is still immature, the clear, simple and romantic atmosphere in the painting is blowing. The theme of women’s body, color brightness, linear