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本文主要论述了贝多芬钢琴奏鸣曲创作的辩证观 ,该文指出贝多芬以辩证思维的原则创造性地发展了古典奏鸣曲和奏鸣曲式 ,它具体表现在贝多芬的主部和副部主题 ,具有真正的对比意义 ,它们不仅在调性和音调上对比 ,而且在音乐性格上对比、并置。主题的广阔发展在音乐中具有重要的意义 ,展开部充满了矛盾 ,紧张的戏剧性冲突成为了奏鸣曲式的动力中心。贝多芬钢琴奏鸣曲各乐章之间不仅是对比并置的关系 ,而且音乐创作中戏剧性因素又使各乐章前后连贯呼应 ,音乐完整统一。
This paper mainly discusses the dialectical view of Beethoven’s piano sonata creation. This article points out that Beethoven creatively developed classical sonatas and sonata styles with the principle of dialectical thinking. It embodied Beethoven’s main and sub-themes, In contrast, they contrast not only in tonality and tone, but also in musical contrast. The broad development of the theme is of great significance in music. The exhibition is full of contradictions. Tension and dramatic conflict have become the motive force of the sonata. Beethoven Piano Sonata Not only the relationship between the juxtapositions, but also the dramatic elements in the music make the music before and after the consistent echo, complete and unified music.