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中国画之初,是象形线体的神韵构成。唐代,是中国人物画的高潮期。大唐具有肥厚风韵的线描人物,来自古人对人体结构特有的审美观察和理解。 本世纪中期以来,中西文化的交流,使得实力派中国人物画家们,把眼光投向西式素描坚实的人物造型上,他们才大气粗,画气更盛。盛世大气已吹醒中华大地,中国人物画复苏了新的活力,立起了丰碑。 西式素描,更重理性,以科学分析方法,深入表现对象的形体结构。中国人物画造型学习,以西式调子素描作为初步的训练,将对象放至三度空间里进行观察,反复研究,用丰富的明暗调子塑造对象的形体结构。接着,过渡到西式结构线素描,这一阶段更强烈、更概括。至此,经过以上两个阶段的实践,意味着在接受过严格素描训练之后,素描应向传统笔墨过渡,运用中国传统的毛笔、宣纸等工具的特性来塑造对象。其中包括传统的东方审美观,与现代人认识对象的更高感知。这是进一步对形象的认识和塑造。认识,是对对象结构与人物形象气质的理解;塑造,是指用毛笔在宣纸上塑造出审美后的艺术形象。
At the beginning of Chinese painting, it is the vivid composition of pictographic body. Tang Dynasty, is the climax of Chinese figure painting. Datang has a plump charm of line drawing characters, from the ancient people’s unique aesthetic understanding of human structures and understanding. Since the middle of this century, the exchange of Chinese and Western cultures has enabled Chinese character painters to cast their eyes on the solid figures in Western sketches. Spirit of the world has been blowing wake up China, the Chinese figure revitalized the new vitality, erected a monument. Western sketches, more rational, with scientific analysis, in-depth performance of the object’s physical structure. Chinese figure painting style learning, with Western-style sketch as a preliminary training, the object into the three-dimensional space for observation, repeated research, with a rich light and dark tone shape the object’s physical structure. Then, the transition to the Western structure sketch line, this stage is more intense, more general. At this point, after the above two stages of practice, it means that after being trained in strict sketches, sketches should make the transition to the traditional brushwork and use the traditional Chinese brushwork, rice paper and other tools to shape the object. Including the traditional aesthetic view of the East, and the modern perception of a higher object. This is a further understanding and shaping of the image. Understanding is the understanding of the object structure and character temperament. Shaping means using the brush to create an aesthetic image of the art on rice paper.