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画中读史,画中读诗,原是很传统的一个读画角度,甚至也可以说,画与史本来就是相互因依,即所谓“左图右史”。不过这一传统的工作尚远未完结,新的研究条件、新的学术背景和知识结构,使我们在熟悉的画作中仍能不断有新的发现。故宫博物院藏《春游晚归图》,横25.3厘米、纵24.2厘米,绢本设色,收入《中国绘画全集·五代宋辽金》第五册,图版说明曰:“此图原载《纨扇画册》。图绘一官员头戴乌纱帽策骑春游归来,数侍从各携椅、凳、食、盒之属后随,正缓缓通过柳阴大
Painting in the history of reading, painting in the reading of poetry, was originally a very traditional point of view of a painting, it can even be said that the painting and history have always been dependent on each other, the so-called . However, the work of this tradition is far from over. New research conditions, new academic backgrounds and knowledge structures keep us constantly discovering new works in the familiar paintings. Palace Museum possession of ”spring travel late at night,“ horizontal 25.3 cm, vertical 24.2 cm, the color of the book, income ”Chinese Painting Collection Five Dynasties Song Liao Jin“ fifth album illustrated: ”This picture was originally included“ Fan fan album. ” Figure painted an official wearing a gauze hat to ride back the spring tour, the number of attendants with each chair, stool, food, box of the genus, is slowly through the big yin