论文部分内容阅读
戏曲艺术的角色表现很注意外现的“阴”与“阳”。戏曲门类的各个戏种,在唱与做的外现形态,或内在的构成关系,都不同程度的内蕴着阴阳之道。《御碑亭》的念白,是青衣戏中较有特点的,其精彩之处也可通过荀慧生的演出看出来:“阴阳开合,收纵吐纳,深得其奥,故字字清,字字稳,字字着力,字字空灵,颇见瑶卿中年神髓,恍见瑶卿当年。”荀慧生先生在京剧《御碑亭》里的念白之所以精彩,是深得“阴阳开合”之道,才恍如“瑶卿当年”。即是说王瑶卿先生当年在《御碑亭》中的念白是那么精彩传神,正
The role of opera art is very concerned about the appearance of “Yin” and “Yang”. All kinds of opera genres, the external forms of singing and doing, or the inherent constitutional relations, all contain yin and yang in varying degrees. “Royal Beiting” read the white, is more characteristic of the Tsing Yi drama, its wonderful place can also be seen through Xun Huisheng’s performance: “Yin and Yang open and close, receive the spit, won its Austrian, so the word clear , The word stable, the word word effortless, the word ethereal, quite Yao Xian middle-aged God, see when Yao Qing. ”Mr. Xun Huisheng in Peking Opera“ Royal Beiting ”read the reason why the wonderful white, won the“ Yin and yang, opening and closing, ”the road, just like“ Yao Qing year. ” That is to say that Mr. Wang Yaoqing in the “Royal Beiting” read the white is so wonderful, is