在中国电影第五代导演中,田壮壮应该是最具个性、最具争议的一位。八十年代中后期,他那句“我的电影是拍给二十一世纪的人看的”著名的“宣言”,曾让当时的知识界和电影人瞠目结舌,至今仍“余音绕梁”;九十年代初,他又因《蓝风筝》的违规,受到有关部门的制裁;由他任艺术指导并主演的影片《长大成人》(原名《钢铁是这样炼成的》)险些被打入“冷宫”,几经周折才得以公映。沉寂近十年的他,去年重出“江湖”,即作出惊人之举——重拍中国电 In the fifth generation of Chinese film directors, Zhuang Zhuang should be the most individual, the most controversial one. In the mid-to-late 1980s, his famous “declaration that my movie was seen by people in the 21st century” made the intelligentsia and filmmakers dumbfounded till now. At the beginning of the year, he was also sanctioned by relevant departments for violating the “Blue Kite.” He was the director of art and starred in the film “Growing Up” (formerly known as “Iron and Steel are so made” After several twists and turns to be released. He was quiet for nearly a decade, last year re-listed “arena”, which made a surprising move - remake China Power