对于素描,前段时间曾经有过一小段时间的争论,但争论的结果就如同当年李小山提出“中国画已经到了穷途末路的时候”观点时所引发的争论一样不了了之。虽然这次的“素描无用”比不上当年的“中国画已死”昕引发的争议轰动,但一个是传承千年的传统文萃,一个是引入百年的西方技艺,两者在关注度上存在如此之大的反差也实在意料之中。素描作为西方绘画的基础课程,已经成为了当前各大艺术院校师生的必备 For the sketch, there was a period of controversy in the previous period, but the result of the debate was just as irrevocable as the controversy raised by Li Xiaoshan at that time when the idea of ​​“Chinese painting had come to a dead end”. Although this time the “sketch useless ” is not as good as the “Chinese painting is dead ” Xin controversy caused by controversy, but one is the traditional literary heritage of the Millennium, one is the introduction of a century of Western art, both are concerned There is such a large degree of contrast is indeed expected. Sketch as a basic course of Western painting, has become the current major art colleges and universities essential for teachers and students