当我们从理论上阐明了文化艺术产品也是商品(一种特殊的商品),并且决心把表演艺术团体纳入文化市场的轨道之后,孔方兄就象无所不在的幽灵困扰着仍然愿意以戏剧为毕生事业的戏剧工作者,让他们生出种种前所未有的痛苦。未必没有人想回到让国家把一切都包下来的旧体制中去。但是,此路不通。因为实践早已证明,“大锅饭”“平均主义”不仅违反经济规律,而且违反艺术规律,妨碍了艺术事业的发展。改革是不可逆转的,只有硬着头皮闯过这一关,才可能“柳暗花明”。 When we theoretically clarified that cultural and art products are also commodities (a special kind of commodity) and are determined to bring the performing arts groups into the track of the cultural market, Kong Fangxiong is like a ubiquitous ghost that plagues drama that is still a lifelong cause of drama Workers, let them give birth to all kinds of unprecedented pain. Not necessarily nobody wants to go back to the old system of letting the state pack everything down. However, this route does not work. Because practice has long proved that “big pot” “egalitarianism” not only violates economic laws, but also violates the laws of art and hinders the development of the arts. The reform is irreversible. Only by bashing through this barrier can it be “illusory.”