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舞台美术的形式,是为戏剧内容服务的。然而又是受舞台条件及演出方式的制约而发展的。岂止舞台美术,就整个戏剧而言,其所以有这种那种的风格样式、体系流派,无一不是为了适应或摆脱这种物资质基础的限制而形成的。没有宣纸的发明,不可能有目前国画的这种艺术形式。没有油画颜料的出现,不可能出现油画这个画种。原始社会的人只能用红土、木炭在山崖上作画、在甲骨上刻字记事,在树叶上刺经、在竹束上作书。当今谁还为之。
Stage art is in the form of theater content services. However, it is also subject to the constraints of stage conditions and performance. More than stage art, in terms of the drama as a whole, there is such a style and genre of genre that both are formed to meet or get rid of this material qualification. Without the invention of rice paper, it is impossible to have this art form of current Chinese painting. Without the appearance of oil paint, painting can not appear this painting. Primitive society can only use red clay, charcoal painting on the cliff, inscribed on the inscriptions on the bones, in the leaves on the acupuncture, book on the bamboo bundle. Who do today?